for eight live-played loudspeakers

Konstruktion#3 realizes electro-acoustic multichannel soli, which can be performed during concerts in real-time
without the utilization of prerecorded tapes. The instrumental live-sculpture Konstruktion#3 consists in a assemblage of amplified metal pieces, strings and objects. Also the use of highly amplified voice is part of the compositions. Via the touching of tablets and sensors, the triggered sounds are processed live.
(Software: MaxMSP, TouchOSC, Arduino)

Konstruktion#3: Third movements

Premiere 2019 @ › 100 Jahre Bauhaus - Das Eröffnungsfestival
Reframes, Unikate 2
Akademie der Künste, Berlin

Concert, video excerpt
(The sounds and their nuances can be heard with headphones or good loudspeakers)

Text fragments:W.Kandinsky, "Punkt und Linie zu Fläche"

Objects in Space @ Biegungen im Ausland, Berlin 2019

Konstruktion#3: Second movements

Biegungen im Ausland, Berlin 2017
› https://ausland-berlin.de/krebs-ara-rombolaandorra-bertucci

Concert, video snippets

Video: Anne Wellmer
Sound: Annette Krebs

Konstruktion#3: First movements
Premiere 2017 @ Kontakte '17, Akademie der Künste, Berlin
› Kontakte '17 - Internationales Festival für elektronische Musik und Klangkunst
› http://www.heroines-of-sound.com/3009-akademiederkuenste/

Konstruktion#3: First movements was developed with the friendly support of Berliner Senatsverwaltung für Kultur und Europa (work scholarship for New Music and Sound Art), Adam Audio, Akademie der Künste Berlin/ Studio für Elektroakustische Musik, and Elektronmusikstudion EMS/ Stockholm.