The series The Konstruktion# arose from the necessity to create new sounds for musical visions that I could not find on the instruments that I was familiar with.
I imagined sounds that would wander through the space like colorful objects or refractions of light within electroacoustic solos, passing through each other or transforming like a kaleidoscope. They were to be embedded in a form that would always surprise me and others anew, so that each concert could be unique, a one-off performance of the underlying composition.
For example, I realized the visual idea of a dark blue colored, shiny transparent sound in the form of a hanging metal piece, amplified via microphones and played with copper pipes, pieces of wood and soft mallets. Its sounds were fed into the computer and transformed live within the Max/MSP software in conjunction with tablet controllers, etc. (Konstruktion#1, 2013).
