FLUID EXISTENCE
audiovisual performance by Annette Krebs and Steffi Weismann
for amplified objects, voice and live-electronics, fabrics, iron, sprouts, red jelly, metals, foam, bubble wrap, microscope and video projection (29 min, 2024, WP)
Steffi Weismann: Performance, USB microscope, video, objects, sounds.
Annette Krebs: Performance, Konstruktion#4 (electro-acoustic sound assemblage)
premiere as part of the program Halbschatten: Konzert für ein Hof-Enviroment
17th of Mai 2024 at HAUNT- Space for Art and Ecologies, Berlin
Kindly supported by initiative neue musik Berlin e.v. INM
Second Version Indoor, ship
@Hošek Contemporary, Berlin 2024
within the frame of ANIMA MUNDI #5 founded by Musikfonds
Trailer
Premiere
@ Haunt – Space for Art and Ecologies, Berlin, 2024
Please listen with good speakers or headphones
Camera: Steffi Weismann, Ali Bay
Video editing: Steffi Weismann
Audio recording, mixing: Annette Krebs
Description
Acoustic and visual spaces blend into each other and form fleeting, kaleidoscope-like structures that attract and repel each other like molecules or merge into a new substance. At the same time, the connection to everyday perception is maintained, allowing bodies and materials to come to the foreground in their specific properties and appear in a new light. The performers themselves sometimes enter this newly created cosmos of sound and color as actors, shifting the focus to different levels and integrating the location, outside noises and the audience.
Kaltes Glühen (2019)
The duo performance “Kaltes Glühen“(en: cold glow) for microscopic image and sound objects combines color and sound, liquid and solid, visible and hidden. The performers play on a table with everyday objects and an electroacoustic sound sculpture in real time. Images and sounds flow into each other, permeate each other, form contrasts and fluorescent colorations. Microscopic components of objects and sounds become the source material for an audiovisual concert:
Selected materials are put into different aggregate states under a microscope and set in movement. On the screen they develop their specific movement dynamics and light reflections.
The sound objects are played manually. Their sounds are magnified quasi microscopically with microphones. With the help of tablets and sensors, they are collaged and routed into two loudspeakers.
Trailer
Steffi Weismann: USB Mikroskope, Video
Annette Krebs: Konstruktion#4, Sound
(Sound optimized for headphones or good loudspeakers)
Works until 2015 ( trailer)
(Sound: all frequencies can be heard with headphones or good speakers)
Unfollow. This is me.
for two performers, voice, twitter texts, objects, and loudspeakers
Composition:Steffi Weismann
(2013)
XXX9
for usb-microscope, video projection and live electronics
Steffi Weismann: Video
Annette Krebs: Sound
(2009)
le vol 1
for real-time video projection and live electronics
Steffi Weismann: Video, Performance
Annette Krebs: Sound, Performance
(2004-2007)
le vol 2
for two performers, objects, four loudspeakers and ghettoblaster
Steffi Weismann: Video, Performance
Annette Krebs: Live electronics, Performance
(2004-2007)
le vol 3
for text projection, tape and two performers
Steffi Weismann: Video, Performance
Annette Krebs: Sound, Performance
(2004-2007)